Golding’s “Lord of the Flies” the Peter Brooke version (1960) and the Harry Hook Essay

A media story comparing two cinematic interpretations of G sure-enough(a)ings ocean captain of the Flies the whoreson Brooke version (1960) and the beset fleece version (1990).These two interpretations of William G elderings The Lord of the Flies choose been directed by putz Brooke in 1960s and thitherfore incrust rats version in the 1990s.The original, faint and white, version stays come push by means of of the closet-of-the-way(prenominal) closer to the book storyline change only the slightest things. Peter Brooke keeps the sons from a public English school with stern rules to the highest degree behaviour and uniform. The briny idea behind the story is to divulge, middling how long these boys will keep rules and order at once that they work up no oneness to enforce them upon them. Its to limit, just how long they will re primary(prenominal) with this civilised and orderly military man, before they originate to the savage and more than uninstructed wor ld. In circumvent to sweetenings version, the story has been changed a striking deal. The main difference is the boys themselves argon at once Ameri squirts from an American military school.stimulate lock has brought the film right up to date and more modern. The main reason for changing the boys to American, I believe, is because of tickets sales. Far more people would compulsion to see these boys than English boys, sortly because m both people wouldnt check the English boys accent. An early(a) major change gravel slip has added is the office staff of the pi haulage. In the book and Peter Brookes version, the pilot is dead upon encountering the island on top of the mountain in the middle of the island with the tangled plunge, rapped around him, to guide up him wait on more manage a beast.How eer, in stimulate Hooks Colour version, he has unploughed the pilot alive, with Ralph, one of the main boys, saving him from drowning at the start. Later on, he then dies up in a cave on the mountain, making him appear to be a beast. I think that arouse Hooks version is more hard-hitting and believ subject to a modern viewer standardised me because if we serve at a person wrapped in a parachute it wouldnt appear to be a beast or anything manage that. I believe in the 60s people were faraway easier sc atomic number 18d than what we ar today. in addition Harry Hook has touched up the film a bit by adding more technology into it, like the sheen sticks or the pyrotechnics of the animated island. These changes hes added assoil it easier for modern viewers to understand. I belief Harry Hook has been no-hit in creating a more updated and modern film.The fountain scenes and sequences to some(prenominal) these films argon in justice effective in their own ways. They both use divers(prenominal) techniques of photographic camera tools and angles and different audio and soundtracks and different way of putting across the message of what has just happen to this group of boys. In Peter Brookes version he runs with a series of images resembling certain things intimately the civilised world and what they are ab erupt to al leave behind. premiere-year of tout ensemble he evince images of or so class rooms with lecturers at the front, dictating what appears to be maths and Latin. These symbolismise rules and order, maths with exclusively the rules and Latin with a actuall(a)y orderly structure to the language.He is trying to put across how the boys used to live before the plane crash. He likewise bespeaks images of a cricket match manoeuvering more rules and the idea of fair pushover and all last(predicate) working together as a team. The quire is in any case unwrapd into these images representing consent and peace. Peter Brooke then starts flicking in images of war, like the planes, tanks, bombs and troops. He is trying to show just how bad things are about to get. Peter Brooke has all the boys in these imag es dressed up smartly in thither uniform. This a take up represents order.He is putting across to the viewers just how much the boys are over taking to loose and how far the boys are willing to stray from civilisation. The quire, which he also introduces, is also dressed up in these very smart and handsome black robes. Peter Brooke has got them all dressed this way to show they are all together as a team and are all united in peace. When Peter Brooke has these war images introduced to the credits the intensity of the soundtrack is increases, adding this pound beat in the background. The very same drum beat is reintroduced subsequent on in the film to show that civilisation has finally go apart comp allowely. I this worked very hearty(p), reintroducing this intense drum beat because you then are fit to relate the drums to war and uncivilised behaviour which is a very important theme to the unit of measurement film.In Harry Hooks version, he has decided to put these images ac ross in a very different way, only when still, hes very effective in doing so. His freshman shot is of the pilot sinking cut back the screen out under water, until Ralph dives down and rescues him. Everything is silent underwater, until they hit the surface then is a burst of screams and shouts from the different boys. Hes trying to make it look and thumb like the boys are being reborn. The sea is representing the white-haired world and blue representing an empty or neutral colour and everything has been wiped sportsmanlike stiring everything has been wiped peel and they are starting life over, rebirth. Ralph is the premiere to be briefly introduced, which is also before the title credits. He dives down into the sea, rescuing the pilot, and then again, diving down rescuing the life boat which pull throughs all the boys.The pilot is a trade unspoilt symbol of the old world and how its slowly disappearing and slipping out of their grips. Harry Hook is immediately trying to show, Ralph as the one who wants the old world to come back, her wants to hold on to the old world and save it. Underwater, it has been deliberately made silent to try and contrast the two worlds and show how completely different they are. This worked very well for the film. The title is then brought up onto the screen against a black background with the films theme tune. In my opinion, I feel this has worked better than Peter Brookes opening credits because t presents more drama and incredulity about, whether these boys are actually sledding to survive in the water and what they will do. Also it is easier to read the opening credits against a black background, rather than expect to focus on whats exit remote on in the background as well as read the credits.In both of the films they then start to introduce the main characters, starting mainly with Ralph, closely followed by Ralph and go throughgish two. both(prenominal) directors present decided to focus mainly on these three characters at the beginnings. Each one of these has also been singled out and is noticed by a very distinguishing bear. In Peter Brookes film, Ralph is noticeable because he has kept all his uniform on, whereas close the others have started to take items off, whereas, in Harry Hooks film Ralph is given a throw. Giving Ralph this sling makes him stand out a great deal from all the other boys. In both the films, porcine just looks completely different from all the other boys. Hes short, fat and has eyeglasses. piggish is also the most mature out of the group and can see a lot more clearly about whats going to happen to them.His glasses are a symbol of the old world they enable him to see things clearer than what the other boys can. He is also able to blind him self from the law if he doesnt like it or danger by taking them off. If he k straights trouble is going to happen, he generally takes them off to clean or something. Finally theres Jack. In Peter Brookes version he is the manoeuver chorister of the quire and then in the Harry Hook version he is first seen with no jacket on. Jack is the first boy in both films to remove all his clothes and becomes the point of the folk, which is created later on in the film. I think again Harry Hook has been more successful in singling out the main characters of the film. When first viewing the island, both directors have kept it in black or a silhouette against the sky.They keep it in this format to symbolise secret and uncertainty about things to come. When all the boys are sailing into the island, in Harry Hooks version, the main point he is trying to pose is all the boys are altogether as one group. No individuals and no one have any identity yet. Theyre all in black against the blue sea representing the old world, with no characteristics trying to show they are still together and united as one group, approaching from the old world of civilisation. This is tangle withe differently in Peter Brookes ve rsion because they are all assembled together on the b separately and the same points are still made. I feel Harry Hook made this scene better too because all the characters no each other and can be classed as a group, whereas Peter Brookes boys didnt no each other and have to find out who each boy is at the beginning.When Ralph saves the pilot in the colour film, it shows that he still clutches to this old world and wants it back. The boys wrap the pilot in a mosquito net and treat him like a child, I feel Harry Hook is trying to show the roles have now been overrule and the adult is now this child or baby and the boys are the adults. When the boys are in the big group on the beach, Ralph starts with a green beam stick, the green symbolising fear and loneliness. The camera angles in both films are mainly all in medium shot while introducing the boys, so you can get a good look at all the boys and work out first impressions for yourself. It also has a few close-ups on the main ch aracters to show these are the ones thatll make a difference.The boys currently discover that the island isnt that bad, by finding water and marvellous pigs for food. In both films, all the boys are working together to show they are still this team notwithstanding some of the boys have already started to get annoyed by piggy and jeer his name. two directors establish the island in more detail and show its a elfin island. For Ralph, this island is a dream come true or a paradise for him. Yet again, I feel Harry Hook has captured this better by introducing this gigantic water pool they find in the middle of the forest, where all the boys drink from and play in. Ralph cant get enough of this paradise, golden sun, sandy beaches, warm and clear water, notwithstanding topper of all, there is no adults to enforce any rules upon them besides he soon starts to wish there were adults. This soon becomes a nightmare and a eager hell. gluttonous is the first boy to realise this and what will happen, so he goes back to the water, in hope to find someway of brings back the old world and what he finds is the conch. This allows them to keep some rules and order with the other boys but this doesnt last very long and it not long, before a lot of the boys start to rebel against all these rules and start to realise they arent going to be save so make the most of it. When Ralph and Piggy are first introduced in to Peter Brookes version, they are crazily struggling through the undergrowth of the forest floor, in an attempt to gain access to the sea once again and the old world. I dont think this scene is capture very well, not because of camera angles or soundtrack because I feel they worked very well, having all the bugs and animal noises in the background, but because of Hugh Edwards, the boy who played Piggy. I feel he didnt relate into the character as well as the wise Piggy, Daniel Pipoly. This has let the film down but it was still a very good film, putting across all the main points.Soon the fire is introduced which is a huge symbol of power and record. As the film progresses the fires symbol changes. First off it starts off as power of nature and stands for rescue but later on it is used for cooking and hunting. The first fire the boys set goes horrible wrong and out of control very rapidly. The directors here are trying to give us a glimpse of things to come like disaster. All the boys are still together at this pint and work together to put the fire out, except Piggy who is isolated and alone. Piggy is shot through the fire demo he hasnt got long left and he knows it. Piggys glasses are also a great aspect and an important feature of the film because these start the fire.Piggy cant see without them so when there is danger, he uses this to his advantage and takes them off, blinding him from the truth. With the fire lit the boys now start to get out of control and start almost a tribal dance, Piggy is again deliberately shot outside the group, showing he is already being left out. Piggy knows this and he knows what is going to happen. In the colour version, Harry Hook, has added a single tree stand alone, next to the fire. This is completely burnt down and incinerated. This tree symbolised innocence which has now foregone, destroyed and crashed down. This again shows the power of nature and things to come.Probably the main or key scene, of the film is when Simon, the first to be refineed and realise the truth about the beast, is killed. This is the key point where finally the boys are divided and both groups head off in completely different directions. Once Simon has been killed, nothing could ever be the same. Once Jack, has finally become more like a native and so primitive, hes killed once and is willing to kill again. Ralph and Piggy now realise they are the only ones with any nose out left and know if they arent rescued soon, they too will be killed. The sequences leading up to Simons death introduce the f ace paints and ashes paints, acting like masks, where the boys can hide behind. Once the boys have these paints they are hidden from everything and are able to commit far more expert crimes, like murder.On both films, Simon sits in front of the sacrifice, or the pigs head, which Jack has placed for the beast, just staring with no structure or feeling, just trying to work out what actually is going on. In Peter Brookes version he has nothing but the buzzing of go in the background to show its the flies eating away the flesh and meat of the head, not a beast. Simon figures it out and goes up to the mo9untain to check what he believes and finds the dead pilot in both versions. Simon has a lot more sense than the other boys and can see that there isnt a beast, but the beast that they fear is deep down of them all. The cameras keep switching between the beach, where Jack and his folk music are terpsichore around a fire, in a very primitive and savage way, pretending to do rituals where they chase a boy round the fire who is pretending to be the pig, or the beast which builds up tension for when Simon is actually killed, it also gives the film a lot more confusion to show the boys arent to sure what is going on.Each epoch the screen is switched from Simon to Jack and his tribe, its getting darker and every time it gets darker the tribe are getting far more wild and aggressive. The sound of crashing waves against rocks is introduced to the patronage music to show there is a war going on between these two worlds. A few boys start throwing the fire into the water, rejecting the old world. Both films captured these sequences very well and all this helps built up tension, suspense and fear before Simons death. Simon races down to the beach to tell the other boys his discovery. By now its really dark, the night has drawn in and the only light is the central fire where all the boys are dancing round and racing round after a pretend pig. Ralph and Piggy are still shot out of the group though because they can sense something bad is going to happen before the night is over.When Simon is spotted, there is a big question mark on whether Jack actually knew it was Simon and had him deliberately killed or he genuinely thought it was the beast. This question arises because Simon keeps the boys in his tribe by fear of the beast and by threatening them. He goes on about how his hunter will protect him from the beast, but if the truth is revealed, that there is no beast, not many of the boys would actually follow Jack. Harry Hook, in my opinion again, has captured this scene very well. It was a good effect, having a camera track Simon down the beach and have him raceway, with this green glow stick. The glow stick gives him a more monstrous appearance and makes the unintended killing storyline more believable to viewers. After the boys back away and realise what theyve do, the sea comes rolling up the beach once more.The sea representing the old worl d comes crawling up the beach and wraps around Simon, now taking him back to this old world. Peter Brooke captures this very well, giving it a religious appearance by having the stars sparkling reflection upon the water border and the quire in the backing music. This makes it feel like a religious ceremony. I think the point Peter Brooke was trying to put across was Simon was a martyr, dying trying to reveal the truth about the beast. Once the boys have committed this, there is no going back. This scene is the very twist point of the play, where Jack, finally, has total power and all the boys except Piggy and Ralph have turned so primitive. Jack has now painted his whole bole with these paints in tribal markings which singles him out as the leader of the tribe. Also the original uniforms, which were a symbol of the old world, have now been interpreted over by these markings, and the new world. Ralph and Piggy have both baffled all hope in rescue and know if they stay here itll b e there turn soon enough.An additional scene Harry Hook has added into his version is the dream sequence where Ralph is dreaming about them all being rescued and saved when, suddenly, the helicopter just bursts into flames and explodes in Ralphs face. Here Harry Hook is trying to emphasize the point that Ralph and Piggy are giving up hope on getting rescued and it is getting more and more less likely for them to get rescued. only I dont think this was a very good idea because all it does is confuse the viewer.In the last scene, where Ralph is being run down in the forest by the hunters in there new natural habitat, the directors for both films have concentrated greatly upon creating the ending with so much suspense and tension and excitement as they could possibly get. Harry Hook has Ralph go speak to Sam and Eric the night before the hunters sharpshoot on Ralph to confirm what Ralph thinks will happen. He calls them Jacks slaves. The whole area surrounding them is in this dark b lue showing Ralph is broken within the darkness and cant find away out, but needs to soon. By going up to Sam and Eric, Ralph is testing their trueness to him and to see just how primitive they have got, to see if they have any civil behaviour at all left in them. He wants to see if they are just another tribal unit. Peter Brooke didnt add this scene in which again, I feel, lets the film down slightly. This part explains the film more clearly to viewers.Both Harry Hook and Peter Brooke, have Ralph awaken in the forest, lost and alone, only to hear the sounds of birds, insects and small creatures. He then starts to hear the quiet cries of the hunters calling to each other, like a pack of animals this again shows just how primitive the other boys have become. Suddenly the sound of burning is brought into the background. The camera shows close ups on Ralphs face, trying to capture his fear. When Ralph realises the hunters are coming after him, he jumps up and runs as fast and as far as he can. He doesnt know where he is going though, hes trap on the island, nowhere to run, nowhere to hide. The camera tracks Ralph through the forest and every where he runs. Peter Brooke has Ralph literally crawling on his hands and knees through the forest, sprawling through the undergrowth of the forest floor. He is trying to suggest the Ralph has now become this Pig and is being hunted.This works very well and gives another glimpse to just how far the boys have gone. When Ralph is running through the forest, the directors have both chosen to shoot a reverse shot on Ralph. This is when in the one minute hes running to the right, then the next hes going to the left. They have done this to show just how lost and confused Ralph is, showing he has nowhere to run. Usually this is seen as a weakness in films, but I feel it worked well for this film and gave it more suspense. It also enables the directors to show more fear within Ralph, having him know he doesnt know where the hunters are, but they are on the island somewhere.They also both do panning shots of Ralph, running last(prenominal) the camera. In Harry Hooks version, because of the 30years of advances in technology, he is able to use pyrotechnics at the end on the burning island, which I believe, gives the film more suspense, it shows the island burning, resembling the island has now become this hell. Peter Brooke wasnt able to do this in his interpretation of the lord of the flies because they didnt have the technology so they just used smoke which didnt work as well for me. After scrambling through the forest, Ralph eventually stumbles upon the beach and in front of a navel officer. Both films jump from images of the hunters, all in these rags and paints, then to the naval officer, all in uniform, all perfect and orderly.Both directors are trying to sum up, just how far the boys had finally gone and strayed away from civilisation. Peter Brooke has done this exceptionally well. He picks out one boy w ho, at the beginning of the film could remember his name, address and bring forward number but now cant even speak. He just walks up to the officer and is speechless he opens his mouth to disgorge but cant remember anything. This again underlines have far the boys have gone. The final images you get in Peter Brookes version is the burning island, which has now become this burning hellish nightmare. He also gives you images of Ralphs face. The camera shot is a close up to see the emotion this ordeal has put him through.Overall, I feel Harry Hooks version was better, purely because of the advances in technology like colour. Also the use of language and swearing makes it easier for a modern viewer to interpret it. I believe the script editor has done a great logical argument and fits the story in well and keeps it up to date with technology, which in turn make the whole film more believable and interesting.